Archive
2022
2021
- December 30, 2021 - My 2021 in films
- September 30, 2021 - He won, didn't he?
- June 5, 2021 - Let Soderbergh talk
- January 18, 2021 - Punching masculinity
2020
- September 9, 2020 - The vast relativity of trauma
- August 29, 2020 - The experience of watching
- August 9, 2020 - Fifty shades of criticism
- May 22, 2020 - A machine in the ghost
- March 26, 2020 - Comrades, it’s a love story
- February 24, 2020 - Burn, baby, burn
- January 31, 2020 - Words are never enough
2019
- December 19, 2019 - An open connection
- December 2, 2019 - Once Upon a Time
- October 23, 2019 - The essence of kinesis
- August 31, 2019 - Grounding expressionism
- July 5, 2019 - Questioning the future
- June 28, 2019 - What Is Democracy?
- June 16, 2019 - Breaking the balance
- May 28, 2019 - Reducing a book and enlarging TV
- April 25, 2019 - Visualising music
- April 1, 2019 - A soldier of cinema
- March 11, 2019 - The Thin Apocalypse
- February 6, 2019 - Retelling is not for everyone
- January 2, 2019 - Arrivederci Soavi, Ciao
2018
- December 12, 2018 - My 2018 in films
- November 15, 2018 - The present is the past is the future
- October 31, 2018 - Hu Bo and the country that sits still
- October 21, 2018 - Ferrara and the Straubs
- September 20, 2018 - Rollerland
- September 10, 2018 - Rachel Getting Married
- August 20, 2018 - Time and Hat
- March 29, 2018 - Second Sight Films’ Breathless
2017
- October 27, 2017 - On a personal level
- October 24, 2017 - Laughable violence
- May 7, 2017 - The special effects of Tsui Hark
2016
- December 29, 2016 - My 2016 in films
- November 26, 2016 - Usefulnessless
- April 24, 2016 - Prince on film
- March 28, 2016 - Better Living Through Criticism
- February 5, 2016 - Film preservation and nostalgia
- January 2, 2016 - Going back to Stanley Kubrick